Summary
In the first part, we follow, without comments, the architectural representation of the emperor's Tiberius villa Jovis in Capri, from the very beginning: the first outlining of the borders of the building with pencil and later the painting of the villa on aquarelle.
in the second part, Jean-Claude Golvin gives a description of this architectural representation, as closely to reality as possible and based on a synthesis of architectural, archaeological and historical information.
Finally, in the third part, he presents his techniques that help him create the architecture design images of the archaeological site: from sketches and cross-sections, he creates 3-D images, full in harmony, aesthetic quality and faithful to reality.